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My father believed in the orthodoxy of the Reform
movement. Sacred objects such as tallitot and kippot were out; English was in,
and when we told him about Emanuel's tashlich on the beach, he shook his head in
dismay. He was, in his own way, a religious Jew; but to him, the ceremonies and
the trappings of Judaism were illogical and superstitious.
In 1999, we
took a family trip to Vienna with my parents. My father took us to Stadttempel
(City Temple). As we stood there, my father started to cry. Perhaps I had
known and forgotten, or perhaps I had never known this, but we learned that my
father had been scheduled for his Bar Mitzvah there on the Shabbat after his
13th birthday; which would have been November 11, 1938. Kristallnacht took place on November 9th and
10th. His father was rounded up and sent away (just temporarily) and the
synagogue was vandalized. There was to be no Bar Mitzvah. My father had not
been in Stadttempel since that day.
Our son, Jake, was also born in
early November; and as it came time to schedule his Bar Mitzvah, Jake wondered:
would his Papa Fred like to become Bar Mitzvah with him, sharing the same
parshah that he had prepared in 1938? My father tenuously agreed to explore the
option. Jake sat down with Cantor Kliger, who gently tried to talk him out of a
joint Bar Mitzvah service (in the proper Jewish spirit-making a "no" easier than
a "yes"), asking him if he really wanted to share the spotlight on his big day.
Jake stood fast.
Over the next few months, Jake and his
grandfather (in New Jersey) had regular phone sessions to go over the parshah
and the prayers. Jake was the coach, my father the nervous pupil.
I
found an old tallit that my father said had belonged to his grandfather in
Austria. It was moth-eaten and ragged. My father thought it beyond repair and
that resuscitating it was ridiculous. But I took it to Emanuel's fabric guru,
Kara Klein, and we examined it closely. It turned out it wasn't a whole
tallit-it looked like it was half of a tallit, cut vertically.
I
decided to harvest two pieces from the old tallit and to sew them into new
tallitot, one for Jake and one for my father. I preserved a third piece of the
old tallit for Jake's younger brother, Eli. Working with Kara, I learned about
the elements of a tallit; the atarah, the tzitzit, the reinforced corners, and
the restrictions on mixing wool and linen.
Knowing I was juggling the
Bar Mitzvah planning, my full-time job, and the rest of our family obligations,
my father told me I was wasting time on a sewing project involving his
moth-eaten old tallit. Nonetheless, I completed the two tallitot. At his
request, I had his atarah embroidered with the words "l'shanah haba'ah
b'yerushalayim"--Next year in Jerusalem.
The Bar Mitzvah was moving
beyond words. My father had been reluctant to chant the maftir, wanting Jake to
have that moment himself. When the time came though, they held the yad together
and spoke in unison. At the close of the service, my father presented Jake with
his grandfather's tefillin. The tefillin had been in the same bag as the
moth-eaten old tallit: abandoned, forgotten and until that day, unvalued.
Shortly before he died, my father thanked me for the tallit. He told me
that he understood and appreciated the importance of the old tallit and the new
tallitot that united him and Jake on their Bar Mitzvah day.
We now
have that tallit back, and I imagine that along with the tefillin, it will be
handed down one day, from father to son or father to daughter; a sacred object
uniting my father, his grandfather, me, Jake, and our future generations. L'dor
va'dor.
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